Simon Quaglio: Theatermalerei und Bühnenbild in der ersten Hälfte des 19. Jahrhunderts

This publication brings the perspective of art historians to a subject often left to the world of theater science and history. Using the example of the Munich theater painter Simon Quaglio, who came from a family of Northern Italian artists, it examines the status and valuation of theater painting as a genre in the intellectual context of 19th century art and theater history.